kevinwada:

Finally got my mitts on these boogers. Go snatch em’ up!

kevinwada:

Finally got my mitts on these boogers. Go snatch em’ up!

harmonyinkpress:

We’re seeking submissions of Young Adult stories with asexual/aromantic main characters! We’re looking for main characters ages 14-18 who experience positive character growth though the story.

Please see the information in the poster above or check our our submission guidelines.

See a more complete list of what we’re looking for at the original post. And please, give us feedback if there’s something you’d like to see that we’ve left out.

bravestwarriors:


A design for some Catbug-inspired headphones! Really excited for the conclusion of season 2. Thanks!

This is such a great idea, narkolator! Who wouldn’t buy this!?
If you have more Bravest Warriors fan art, click here to submit it!
-Kiki

bravestwarriors:

A design for some Catbug-inspired headphones! Really excited for the conclusion of season 2. Thanks!

This is such a great idea, ! Who wouldn’t buy this!?

If you have more Bravest Warriors fan art, click here to submit it!

-Kiki

multiversitycomics:

image

by David Harper

It’s rare that everyone in comics agrees to something, but if there’s one thing everyone has agreed on recently it is this: Cameron Stewart and Babs Tarr’s Batgirl redesign is amazing. You can tell when something really connects with people when the fan art community goes…

kirstenrothbart:

Ain’t Goin’ Nowhere
© 2014, Kirsten Rothbart

kirstenrothbart:

Ain’t Goin’ Nowhere

© 2014, Kirsten Rothbart

twostriptechnicolor:

fuckyeahsources:

Nope. But the real story is better. Bolding mine:

The late Ruth Thompson, a cell painter on “Snow White” who later became a multiplane scene planner, recalled: “We tried everything - airbrush, drybrush, even lipstick and rouge, which is perhaps the basis for the legend because we did, in fact, try it. But nothing worked.

The airbrush was difficult to control on such a small area; drybrush was too harsh; lipstick and rouge unwieldy and messy. Everything proved to be impractical and all hope seemed lost to give Snow White her little bit of color when the idea of using a dye was proposed.

Again Ms. Thompson: “Someone suggested a red dye because the blue day we added to give Donald Duck his distinctive sailor-blue never really could be washed off the cell without leaving a bluish stain where the paint had been applied.”

Ever since the mid 30’s when color became the norm for all the cartoons, not just the “Silly Symphonies,” all paints and inks were made at the studio. During this period as well cells were routinely reused for economic reasons, thus the need to wash them off. Apparently Donald’s special blue color was made with a dye added to the usual powdered pigments. “So we tried that.” As the women gathered around in what must have seemed just another dead-end effort, all eyes became fixed on the red dot which soon became a small glow with no perceptible edge. The hushed silence soon gave way to sighs of relief. The method had finally been found. Now the application.

Among the studio’s many inkers (an extremely demanding profession), was one young lady whose training and skill was unique: Helen Ogger. Just being an inker placed one within the elite confines of this most “holy of holies” area of the Nunnery, as the Ink and Paint Department was so called (Walt had strict and quite Victorian views that the sexes not mingle at the workplace, allowing no male personnel save the “gofer” boy and the paymaster “Mr.” Keener to enter this domain of mostly unmarried women ). But Helen was in addition a very fine cartoonist and one of the few women at Disney’s or anywhere else, who could animate.

Such a seemingly insignificant detail (as the cheek colors) might be thought not worthy of special mention (she, as well as the other inkers and painters, was given no screen credit). But when one adds up the number of footage required to be tinted freehand on each individual cell, the hours suddenly turn into weeks and months. In fact, such a treatment was never attempted again on such a scale and even today, the publicity stills from “Snow White,” most of which do not have the added blush, bear witness to how that little touch of extra care adds to the vitality we see on the screen.

The work was done on all close-ups, most medium shots, and even on some long shots. The Queen was also similarly tinted. Hundreds of hours were needed to complete this task, arduous, repetitive and, of course, hard on the eyes. Ultimately a handful of other girls were needed to assist Helen as the clocked ticked toward the deadline.

Helen had to place several cells together on an animation board, one atop the other, just like in the process of animation, in order to get the ‘registration’ right (the spot of red just right in relation to the preceding and following ones) - all of this without any guide. She would work out her own extremes and then ‘animate’ the blush in inbetweens. Her work deserves admiration and gratitude and it is unfortunate that her contribution has remained unknown and her anonymity unaltered during her lifetime. She was paid, as were the rest of the Inkers, $18 a week, which included a half-day on Saturday and the many, many hours of unpaid overtime “Snow White” would require - all given unstintingly, (by everyone involved, it should be added), to a project whose joy in participating was its own reward.

She eventually became head of Inking and Special Effects and even taught classes in animation at the studio. She left in 1941 (apparently part of the terrible strike that would leave the Disney Studio changed forever), taking her skills with her. She died in Glendale in February of 1980. Perhaps it is safe to say that her departure was critical to the abrupt demise of this now unique effect (it was also used, though on a much smaller scale in both “Pinocchio” and “Fantasia”). None of the other inkers or painters were animators and it is this fact, not just the factor of economy nor the changing tastes, which surely must be considered a reason why such details were never attempted again. The golden age was over.

The making of Snow White never ceases to fascinate me. And incidentally, that unpaid overtime was one of the causes of the 1941 strike.

kateordie:

I do not think that word means what you think it means.

colleendoran:

While I don’t want to be the voice of reason that buzzkills your art dreams, the fact is few people can make a full- time living in this business. Fewer still can sustain a long term career in the creative arts.

It’s hard to know when to let something go. Or when to keep pushing through.


Many…

formerlysparx:

123 Ideas for Character Flaws

amandaonwriting:

Character Flaws

  1. Absent-minded - Preoccupied to the extent of being unaware of one’s immediate surroundings. Abstracted, daydreaming, inattentive, oblivious, forgetful.
  2. Abusive - Characterized by improper infliction of…